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This post will conclude the 2011 review roundup posts. Next week I have a new field recording report in the works.

On this blog I’ve gradually focused writing about four things:

  • field recording
  • travel, a sense of place and sound
  • selling sound effects
  • creativity and field recording

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This year I decided to write about field recording sound effects for my website Airborne Sound. I call them ‘Field Reports,’ in the spirit of dispatches from the ‘front.’

I originally wrote them to share tips and tricks I learned during the process. I also wanted to offer recordings for your listening pleasure and get feedback in the process.

In each field report I describe the approach and challenges then provide the results.

In later posts I have jotted down thoughts on the process, lessons I learned and reflections on how field recordings affect the recordist and the listener.

Here are the sound effect field reports from 2011.
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Old Globe

courtesy ToastyKen

I love meshing field recording with travel. Foreign sound effect atmospheres can give a taste of what it’s like to be in places you’d otherwise never experience, like France, Spain or Greece. The best ones can immerse you deep in the environment.

When you add these sound clip ambiences to a map, the immersion becomes deeper. You can virtually walk the streets of other places and hear soundscapes of what it was like to be there.

I’ve travelled quite a bit recording sound fx and I’ve always wanted to create a sound map of my travels. Here is my basic worldwide map of my sound effects. I’m planning something more elaborate for the future.

In the meantime, here’s a list of ‘mashup’ websites that combine maps and sound, called soundmaps. They use geotagging to position field recordings on a map. Some of them include soundwalks, which are field recordings while moving and exploring.

Now, if we could only have sound recorders with GPS geotagging built in…

If I’ve missed any cool soundmaps, please leave a message in the comments and I’ll add it to the list.

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