A year and a half ago I sold everything I owned, jumped on a plane, and arrived in Southeast Asia. Why?
To capture field recordings, of course. I’ve travelled through Malaysia, Cambodia, Thailand, and Indonesia recording the sounds of the cultures in those places. I’ve wandered into obscure corners of Bangkok, Siem Reap, Kuala Lumpur, Denpasar, and other cities to find cool sound effects.
Now, almost 18 months after I began that trip, I am faced with a challenge: my hard drive is crammed full of raw field recordings that need polishing. There are thousands of files. They were captured from three microphones. It’s an overwhelming amount of data that could total hundreds of hours of audio.
I have a special plan for those field recordings that I’ll share with you later. In the meantime, there’s a more obvious problem: how does one transform thousands of field recordings into finished, listenable sound effects? What’s the best way to master bulk field recordings?
Today’s article shares techniques that help you tackle the mastering process efficiently to move those raw files from your hard drive into the ears of your listeners.
Please note: I explore this idea in depth. This post should take you about 12 minutes to read. If you’d prefer, you can email yourself a copy of the post to read later.