Creative Field Recording | Page 3 | capturing evocative sound effects worldwide

Sound Dogs Releases Desktop Sound Library App

2018/04/03 Filed Under: Gear

Pioneering sound fx website sounddogs.com has just released a desktop sound browsing app. The software allows users to organize and search their own sound fx collections as well as browse the website’s online catalog and – with a $200 yearly subscription – download any sound effect they offer.

Soundly Releases v2.1: New Metadata, Revised SRC, Easier Searching, More

2018/03/29 Filed Under: Curation

Free metadata app Soundly continues to impress with their latest release, Soundly 2.1. Not long ago the folks at Soundly offered version 2.0 with a revamped design, online store, workflow, Pro Tools spotting, and shortcuts. It also added cloud support for library sharing, and more sounds for its in-app library. That was in October, 2017. […]

The Reaper Blog: How to Use Metadata in Reaper

2018/03/27 Filed Under: Curation

The Reaper Blog is well known as the go-to source for information about the popular editing app, Reaper. Reaper is complex software. It has a lot of power. Like any other sophisticated app, it takes a bit of time to understand well. I’ll admit being a bit overwhelmed when I first opened the app myself. […]

Exploring The Field Recording Gear Gap

2018/02/14 Filed Under: Gear

Are you just beginning field recording? Unsure of what gear to use to start capturing sound effects beyond the studio? New field recordists face a common dilemma: is it best to buy cheap gear and begin recording now, or wait and invest in a superior kit later? It isn’t an easy question to answer. In […]

Update: Joining the Pole Position Production Team

2018/01/24 Filed Under: Updates

Folks, a quick update. I’m very happy and proud to announce that I have joined the Pole Position Production team!

Article: Soundfly Features 10 Field Recordists Crossing Aesthetic Boundaries

2018/01/19 Filed Under: Updates

Earlier today learning website Soundfly published a list of field recordists in their online music magazine, Flypaper. The writer, Patrick McGuire, shared ten people he felt were crossing the “aesthetic boundaries” of field recording: some more conceptually artistic, some purely for sound design, and others for the purposes of documentation I found McGuire’s classification of […]