The last two posts explored overlooked field recording errors. The first shared general field recording concepts that are often ignored or missed. The second dove into deeper detail with more specific recording mistakes and ways to fix them. These are slip-ups that I’ve noticed during my years field recording, mastering sound effects, and curating sound […]
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Fixing Field Recordings: Accusonus Audio Repair Bundle First Look
When I first began field recording, I captured any sound I could point my microphone at. It didn’t matter what it was. A shrieking kettle? Sure. Light switches? Done. Traffic from my balcony? I have dozens of tracks. Beginning field recording is an exciting time. It introduces a way of thinking about the world that […]
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The Reaper Blog: How to Master Sound Effects
A few weeks ago I linked to an article from The Reaper Blog about using metadata in the Reaper editing app. Of course, adding metadata is one of the last steps before publishing field recordings. There are many steps before that, including sound effects mastering. That is why I was intrigued when reader Carlos tipped […]
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A Quick RX Tip for Mastering Sound Effects
iZotope’s RX noise-reduction software has received ample praise from throughout the pro audio community. It’s well deserved; RX’s suite of powerful tools can eliminate clicks and pops, remove buzz, and diminish noise. There are dozens of these “modules.” In fact, it can take hundreds of hours to master them all. That’s why it was just […]
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2 Techniques for Setting Sound Effects Library Mastering Levels
Last week I saw an interesting conversation appear on Facebook. Field recordist and sound designer Charles Maynes created a post in the Independent Sound Effects group to discuss establishing a standard for audio levels in sound effect libraries. It’s a valuable idea. In fact, I’ve received a handful of messages from readers about this in […]
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A Blueprint for Mastering Long Field Recordings
You finally scored a spot at a field recording nature workshop. All weekend you recorded tracks of wind, water, and wildlife in the mountains hours from home. Every morning you woke at 4 a.m. and captured hours of dawn chorus field recordings. You let the recorder run all night gathering the sounds of insects and […]
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