The last post began a series exploring common field recording, mastering, and sound library curation mistakes. It shares common yet easily overlooked stumbling blocks for beginners and sound pros alike, and how to fix them.
Today’s post takes another look at field recording foibles: common errors that plague even the veteran sound artists in the crowd. Let’s learn more.
NOTE: I’m very detailed. This article should take you about 15 minutes to read. Don’t have time now? No problem. Click the button below to email it to yourself to read later.
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