Early in January I had a chance to record another engine. Last week, I finally cut it. And, while I was editing, I remembered an important trick: mastering your clips before you capture them makes field recording quick and easy, and invokes strong, valuable sound effects.
Doesn’t mastering follow field recording, chronologically?
Yes. I’ll explain, using the passenger train recordings as an example. First I’ll share how I cut the sound, and continue next week with ideas to help strengthen field recordings.
Become a Creative Field Recording Member to read the rest of the article.
Join the membership and get access to exclusive field recording, sound effects mastering, and sound library curation articles.