You rip apart the shrink wrap and pull your new audio recorder out of the box. You power it up. You flip through the menus and apply the settings. You string lengths of cables to a dozen microphones. Each microphone is wiggled into Rycotes and spun onto stands. Their position is adjusted and tweaked. Then you slip into headphones and twist tiny dials so that the levels are just right.
What’s that? There’s hum on the line? Which mic is it? Another is picking up a current of air across the diaphragm. You fix everything. Then, after the first performance, you struggle to get levels from the contact mic without peaking. Half an hour later you’re ready to record. You’re frustrated and exhausted. How can you possibly expect to capture inspired performances now?
It’s not easy to be creative on demand. It’s especially hard when struggling with the technical demands of field recording. Last week’s post shared ideas on how to use adaptation, imagination, and creativity to grow beyond gathering only “sufficient” technical sound effects. And why not? There’s an opportunity to inject each field recordist’s expression into the sounds they capture. That invests a sound pro into their recordings, and sparks excitement in listeners, too.
Is there room to grow in other areas of a sound effect’s lifespan? As we know, capturing a field recording is only part of sound effect’s arc. After being captured, a clip must also be cleaned. Just like field recording, mastering requires precise technical skills. Is it possible to inject creativity when mastering, too?
Last week’s article explored whether field recording can grow beyond the technical boundaries of the craft. Today’s post shares a new idea: that it’s not enough just to record sound effects with emotion; the best field recordings must be presented that way, too.
So, today’s post shares tips and tricks for detecting and applying creativity when cleaning sound clips. Next week will conclude the series with ideas for organizing clips so listeners will be inspired when they discover them.
Please note: I explore this idea in detail. This article should take you about 15 minutes to read. Click the button below to email the article to yourself to read later.