When I first began considering writing about Ambisonic field recordings, my thoughts immediately turned to John Leonard.
Readers may remember John from his interview in the “A Month of Field Recordists” series. In addition to his carefully recorded sound effects, John Leonard has been a pioneer in Ambisonic field recordings. He has followed the evolution of the format and has produced some of its best field recordings. While many people have begun recently using Ambisonic sound effects for 3D and VR platforms, John has vast experience using them differently: as soundtracks for his award-winning theatre sound productions.
I asked John if he would be interested in sharing his perspective on Ambisonic sound recordings with us. I was delighted when he agreed. What emerged was a fascinating look at John’s career, and a comprehensive description of the history and evolution of the Ambisonic format and its tools.