I’ve always been interested in field recording and travel. I first began to explore how those concepts combine in the first year of this blog, where I wrote about sound maps. Of course, sound maps are a media ‘mashup’ that pins onto a map a blend of field recordings, images, and text.
As I began researching that article, it didn’t take me long to discover the remarkable Sound Tourism website. That site adopts the sound map idea and takes it a step farther: its collection of field recordings is meant to help listeners discover the unique ‘sonic wonders’ of our planet, from a ‘sea organ’ to a ‘singing ringing tree.’
I was fascinated by the concept, and also intrigued by the field recordist behind the website as well. The project is hosted by Trevor Cox, a professor of acoustic engineering at the University of Salford. He is also a radio broadcaster, a lecturer, and an author of a number of audio books. In addition to working to improve sound in theatres and in recording studios, he is part of an intriguing initiative to make sound recordings better.
With his background in acoustics, I was interested in Professor Cox’s perspective on field recording and the equipment he uses to capture sounds beyond the studio. I asked if he would like to share his experiences with us.
So, today we will hear a fascinating mix of an initiative to improve audio recording, a globe-spanning collection of unusual sounds, and the impact of acoustics on field recordings.